Movement of Potential Object for Theater, No. 1, 2011, Silent HD video, 28 seconds

Potential Object for Theater, No. 2, 2011, Plywood, hardware and fluorescent lighting, 29 3/4 x 15 x 12 1/2 inches

THIS WAS THE KIND OF PRESENTATION OF ALL THE MATERIAL, 2010, Still from live performance with Dorian McKaie, Rug, plywood, oil enamel, latex paint and lighting, 13 x 13 x 8 feet, Photograph by John Sisson 

LoterÍa (El Nopal) & Universal Alphabet, Artwork by Cactus Salazar, Nuevo Laredo, Mexico, August 1997, 2011, Framed poster, 30 x 24 inches 

Blue Wall, 2010, Drywall, latex paint, wood, and fluorescent lighting, 10 x 17 x 1 1/2 feet 

Still from HOLDING A POSITION FOR LONGER THAN IS NECESSARY TO PROVE A POINT; YVES KLEIN, UNIVERSITY OF SORBONNE-PARIS, PARIS, FRANCE, 1959; IGOR STRAVINSKY, HARVARD UNIVERSITY, CAMBRIDGE, MASSACHUSETTS, 1939; VITO ACCONCI, NOVA SCOTIA COLLEGE OF ART & DESIGN, HALIFAX, NOVA SCOTIA, 1977, 2010, Silent HD video projection, 9 x 5 feet (installed) 

Still from HOLDING A POSITION FOR LONGER THAN IS NECESSARY TO PROVE A POINT; YVES KLEIN, UNIVERSITY OF SORBONNE-PARIS, PARIS, FRANCE, 1959; IGOR STRAVINSKY, HARVARD UNIVERSITY, CAMBRIDGE, MASSACHUSETTS, 1939; VITO ACCONCI, NOVA SCOTIA COLLEGE OF ART & DESIGN, HALIFAX, NOVA SCOTIA, 1977, 2010, Silent HD video projection, 9 x 5 feet (installed) 

THE PROBLEM WITH THE CORNER, 2010, Baltic birch plywood, oil enamel and rugs, 8 x 4 1/2 x 13 feet. Also the set for the performance, THE PROBLEM WITH THE CORNER, live performance with Annie Maurer. 

YOU CAN THINK
YOU CAN DREAM
AND WHEN YOU SPEAK YOU CAN HEAR, 2011
Maple plywood, poplar, oil enamel, computers, televisions, three-channel looped video animation (4:30), three-channel looped audio (4:30) and text, 8 x 8 x 6 1/2 feet